The always charismatic Schoolboy Q encapsulates it all. By exploring topics such as the gang mentality among police and his own coping mechanisms, Craft created his most complete work to date and separated himself from the crowd of lyrically-gifted rappers looking to break through today’s scene. Over jagged and intense beats, Rico screamed, screeched, and yelped about everything she’s had to fight for and against on her path to rap stardom: the men who tried to control her, the people who desperately wanted to hold her back, fake relatives, copycat rappers, and the spoils that come along with never relenting.
Like Caroline Polachek, Hannah Diamond and so many others this year, Amber Bain uses super-synthetic electropop and soft rock to say much rougher, grittier truths. Malone’s commercial pull is so strong that whatever he touches right now becomes a hit. Southern Sky, Bad Man, SugarHouse and plenty more make this a future cult classic. The best in culture from a cultural icon. Then they paid for it. But the clearest distillation of Dave’s talents is the album’s centerpiece, “Lesley,” a deeply empathetic, nearly ten-minute portrait of an abusive relationship.
At one point woods turns his ancestors’ lives into what sounds like scriptural parable, while at another he recoils from a butcher who recognizes him by voice (“I forgot white people is born police”). More importantly, Curry’s fourth studio album proved his music can’t be pigeonholed as there’s no formula to his sound. It’s not just hitting or holding a few notes, but unleashing his voice upon the world like an angelic avalanche. Thankfully, there are a myriad of rap and Hip Hop albums that dropped this year that deserve special recognition for being a cut above the rest.2019 delivered an entirely new Gang Starr album — yes, a GANG STARR album!
However, an issue rises in asking when does disruption stop?
Long may it last. Such is life. Makala – Radio Suicide – BDBoogie’s debut major label album finds the promising Compton native building on the thoughtful, emotive blueprint of his excellent string of mixtapes, singing and lisp-rapping his way through warm studio instrumentation, aiming for self-improvement and self-knowledge—as he said on his last record, Thirst 48 Pt. Decade-End Top Artists; Decade-End Top Artists - Interactive; Decade … Everyone knew DaBaby was coming, what we didn’t expect was for him to keep that same energy. Instead, it makes the case that all good art, even when pulling from familiar elements, is the creation of something that’s never been made before — and that this rapper-producer duo are two of the best working. On Boss, she goes in as hard as an aggrieved Wu-Tang member over a raw bluesy beat; on the very next song, Selfish, these spikes are melted into smooth R&B.
On , Wave demonstrates a deft control over his vocals as his coarse and guttural raps transition into a sweet and smooth tenor. Chocolate Boy Wonda, wrapped up 2019’s third quarter with The timeline between Young Thug’s debut commercial mixtape It’s hard to find a 2019 album that screams summer more than GoldLink’s sophomore release, Griselda Records had itself one hell of a run in 2019.
– PGThis effort from Dave (formerly Santan Dave, a nod to the London streets that raised him) follows through on its title, as Dave crafts a somber and often-stunning contemplation of his youth, the city that served as its stage, and the trauma that he’s still trying to work through. — Since breaking out with the Odd Future collective, Tyler, The Creator has only improved with age. Octavian, French born and London-raised, has found a way to harness his throaty cadence on the moody and heavily ethereal Endorphins.
are like Swizz Beatz making the score for a Kirby game. In “Caroline,” the switch happens in a single sentence: “Told my brother, ‘I love ya, cross me, I’ll take you out. Then Gibbs, just for a few bars, slips into a double-time flow. The 50 Best Albums of 2019. Perhaps due to England’s exile mess, British rap has been carving out its own running lanes to rage against the beast. Clearly the lurid depictions of life in drug-addled Detroit came first and were wedged into the rap genre so tightly, their grotesque appendages sometimes burst through and defy taxonomy. Through moments of nostalgia — episodes of , bowls of Fruit Loops and peanut butter and jelly sandwiches — Grip begins to come to terms with his survival, those who weren’t as lucky, and the inanimate object that wrought so much destruction. Their ranting live shows gathered hype like a crowd round a bullhorn, and this debut album delivers – and then some. is idiosyncratic and surprising — “I Think” is an unexpected turn to nu-disco, while “Are We Still Friends?” pays tribute to soul great Al Green — without an obvious radio hit. The production, aided by George Daniel of the 1975, is like dense layers of fluttering gauze, annotated with fine detailing; floating through it all is Bain’s breakup pain. While some of the rappers that emerged this year, like Megan Thee Stallion or DaBaby, pulled hip-hop towards them, pushing denser flows than have been dominating airwaves in recent year, Roddy’s approach has been to synthesize everything that can set a room off and put it into one package. But, what is the difference? Amid the Twitter outrage, there was no disagreement that EarthGang’s long-awaited major-label debut hit all the right marks, satisfying the hype they built with the three EP that preceded the album.
“White men run us/They don’t want this kinda passion,” she offered, “A black woman story?/They don’t want this kinda rappin’.”From the dusty sample to Freddie Gibbs’ world-weary baritone, the opening of “Freestyle Shit,” ’s first track, sounds well-worn and familiar — it’s easy.
Manchester’s WH Lung are on hand to provide it, garlanded with airy vocals and endearingly retro sonics. Seemingly stumbling with Gucci Mane through a haze of chronic on My Skin My Logo, glorying in laidback “CP time” on Binz, the beautiful little nest of references that is “black molasses, blackberry the masses”, this is an understated and poetic celebration of a culture.
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