Nominal distortion. The AF does rely on an old micro-motor so AF operations are a bit on the noisy side although there isn't anything to complain about regarding AF speed as well as AF accuracy. Canon EF 35mm f2 vs Carl Zeiss Distagon T 35mm f/2 ZE. Canon’s EF 35mm f/2 adheres to a traditional film-camera focal length while at the same time attempting to meet the demands of digital photography.
We use industry standard tests in order to compare features properly. We’ll always tell you what we find.
The lens extends a little when focusing towards closer distances but the front element does not rotate so using a polarizer is no problem.
Test de l'objectif Canon EF 35 mm f/2.0 IS USM. We never, ever accept money to review a product. Released back in 1990 the Canon EF 35mm f/2 is one of the Methusalems in the current EOS lens line-up. Distortion The 35mm ƒ/2 IS USM does fairly well to restrict distortion, showing a consistent +0.2% barrel distortion in the corners when mounted on the Canon 7D. Captures crisp images. FTM (full-time manual focusing) is not available. before finally releasing successors in mid 2013. Optically stabilized. Tell us what you think - send your emails to Making a comparison between the Canon EF 35mm f2 and any other 35mm lens for Canon the first and most obvious thing that appears is the price. Using the f/2 maximum aperture means accepting some loss of performance but stopping down only produces a very slight improvement through the crucial mid-range apertures. In fact, the EF 24mm f/2.8, EF 28mm f/2.8 and EF 35mm f/2 were also among the very first EF lenses. This sounds unimpressive but it does have the advantage of producing fairly consistent results over a wide range of aperture settings.Overall, the EF 35mm may not be an outstanding performer but it is very consistent and is certainly workable at its maximum aperture.Unlike other sites, we thoroughly test every product we review. As well as a depth-of-field window the lens also has an AF/MF switch and a narrow manual focusing ring that is located about half-way along the barrel.In terms of performance, the EF 35mm produces very acceptable visual results but numerically it is rather lacklustre, returning close to 0.2 cycles/pixel across much of its aperture range. Regarding its construction it is closely related to its flanking brothers and sisters of that lens era, namely the EF 28mm f/2.8 and EF 24mm f/2.8. It's a moderate wide-angle on full-frame cameras whereas on APS-C DSLRs it behaves a little bit more like a standard lens with a field-of-view equivalent to about 56mm. La série de photos ci-dessous permet de se donner une bonne idée du piqué d'image délivré par le Canon EF 35mm f/2.0 IS USM. Trusted Reviews may earn an affiliate commission when you purchase through links on our site. That doesn’t mean it’s a poor lens so much as that it simply doesn’t sparkle.
L'avis de Béanico. Mon avis sur la qualité optique. This is especially true for the focus ring which feels a little "scratchy". The lens looks good, with a semi-matt eggshell finish, and feels like a traditional film-camera standard lens, making it just the right size to offer good handling both when changing lenses and during shooting. This lens is less than half the price of Zeiss’s Distagon f2. Surprisingly Canon kept them in production for more than two decades (!) This makes perfect sense for Canon given that the EOS camera range includes bodies with both full-frame and sub-size sensors, but it also means that the effect of the lens, in terms of its field of view, will vary when used on different cameras.Given that the lens tested here is capable of covering both formats it is likely to appeal to a large number of potential buyers, which must make good commercial sense for Canon.
Compact. The Canon EF 35mm f/2 IS USM is intended for photographers who want to relive the sensation of classical reportage photography – with a 35mm lens screwed onto a full-format DSLR such as an EOS 5D Mark III. The build quality is fairly decent but it's a little dated by current standards. Canon’s EF 35mm f/2 adheres to a traditional film-camera focal length while at the same time attempting to meet the demands of digital photography. In the late 80s to early 90s Canon introduced a set of moderate wide-angle lenses for the EOS system.
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